DEVS

Working with a team of CAD designers, engineers and model makers as well as specialised subcontractors, Tayler formulated a masterplan for the fabrication, construction and installation processes. The quantum computer build involved complex and highly precise metal milling, polishing and gold plating, and required an enormous amount of accurate wire bending. When assembled, the model stood four and a half meters high and comprised thousands of individual parts, each cut, machined and polished to a mirror finish. Components included eleven large gold-plated 15mm aluminium discs, approximately three thousand connectors, numerous laser-cut and folded stainless steel parts, curved metal rods, coils, wires, and a central shaft and base frame. In addition forty illuminated clear acrylic panels were fitted into apertures in the plates of the computer and each plate was fitted with inward facing LED strips and an encapsulating band around the edge.

Mark Digby, Production Designer on ‘Devs’, describes the quantum computer as a ‘central character’ in the show: ‘We always set our bar high and no less so on this architectural prop. The highest level of materials and finishes and mechanics were required... It would get a lot of scrutiny and need to deliver maximum design and screen value. Knowing how challenging we are as a design team in terms of ambition and style I was confident that Artem would be the right choice. That was reaffirmed by Ollie Hodge who was the art director and manager of this important aspect of the show.’

To ‘operate’ the computer, Artem designed mains-controlled linear actuator mechanisms to move the rods and coil in reciprocating and rotating action for extended periods. In combination with the integral LED lighting this created a truly stunning effect.

The quantum computer was assembled in two sections for transportation and was installed into a Manchester studio by Artem technicians, with the help of our custom-designed chassis system. This enabled the two halves of the computer to be precision-placed into position on the set for fixing.

‘The finished model looked absolutely beautiful in Mark Digby’s fantastic, futuristic set,’ said Simon Tayler. ‘I can’t wait to see the series on screen.’